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oggenc(1)			 Vorbis Tools			     oggenc(1)

NAME
       oggenc - encode audio into the Ogg Vorbis format

SYNOPSIS
       oggenc  [  -hrQ ] [ -B raw input sample size ] [ -C raw input number of
       channels ] [ -R raw input samplerate ] [ -b nominal bitrate ] [ -m min‐
       imum  bitrate ] [ -M maximum bitrate ] [ -q quality ] [ --resample fre‐
       quency ] [ --downmix ] [ -s serial ] [ -o output_file ] [ -n pattern  ]
       [ -c extra_comment ] [ -a artist ] [ -t title ] [ -l album ] [ -G genre
       ] [ -L lyrics file ] [ -Y language-string ] input_files ...

DESCRIPTION
       oggenc reads audio data in either raw, Wave, or AIFF format and encodes
       it  into	 an  Ogg  Vorbis stream.  oggenc may also read audio data from
       FLAC and Ogg FLAC files depending upon compile-time  options.   If  the
       input file "-" is specified, audio data is read from stdin and the Vor‐
       bis stream is written to stdout unless the -o option is used  to	 redi‐
       rect the output.	 By default, disk files are output to Ogg Vorbis files
       of the same name, with the extension changed to ".ogg" or ".oga".  This
       naming  convention  can	be overridden by the -o option (in the case of
       one file) or the -n option (in the case of several files). Finally,  if
       none  of	 these	are  available,	 the output filename will be the input
       filename with the extension (that part after the	 final	dot)  replaced
       with ogg, so file.wav will become file.ogg.
       Optionally, lyrics may be embedded in the Ogg file, if Kate support was
       compiled in.
       Note that some old players mail fail to play streams with more  than  a
       single Vorbis stream (the so called "Vorbis I" simple profile).

OPTIONS
       -h, --help
	      Show command help.

       -V, --version
	      Show the version number.

       -r, --raw
	      Assume input data is raw little-endian audio data with no header
	      information. If other options are	 not  specified,  defaults  to
	      44.1kHz  stereo 16 bit. See next three options for how to change
	      this.

       -B n, --raw-bits=n
	      Sets raw mode input sample size in bits. Default is 16.

       -C n, --raw-chan=n
	      Sets raw mode input number of channels. Default is 2.

       -R n, --raw-rate=n
	      Sets raw mode input samplerate. Default is 44100.

       --raw-endianness n
	      Sets raw mode endianness to big endian (1) or little endian (0).
	      Default is little endian.

       --utf8
	      Informs  oggenc  that the Vorbis Comments are already encoded as
	      UTF-8.  Useful in situations where the shell is using some other
	      encoding.

       -k, --skeleton
	      Add  a  Skeleton	bitstream.   Important	if  the	 output Ogg is
	      intended to carry multiplexed or chained streams.	  Output  file
	      uses .oga as file extension.

       --ignorelength
	      Support for Wave files over 4 GB and stdin data streams.

       -Q, --quiet
	      Quiet mode.  No messages are displayed.

       -b n, --bitrate=n
	      Sets  target bitrate to n (in kb/s). The encoder will attempt to
	      encode at approximately this bitrate. By default, this remains a
	      VBR  encoding.  See  the	--managed  option  to  force a managed
	      bitrate encoding at the selected bitrate.

       -m n, --min-bitrate=n
	      Sets minimum bitrate to n (in kb/s). Enables bitrate  management
	      mode (see --managed).

       -M n, --max-bitrate=n
	      Sets  maximum bitrate to n (in kb/s). Enables bitrate management
	      mode (see --managed).

       --managed
	      Set bitrate management mode.  This  turns	 off  the  normal  VBR
	      encoding,	 but  allows  hard  or	soft bitrate constraints to be
	      enforced by the encoder. This mode is much slower, and may  also
	      be  lower quality. It is primarily useful for creating files for
	      streaming.

       -q n, --quality=n
	      Sets encoding quality to n, between -1 (very low) and  10	 (very
	      high).  This  is	the  default mode of operation, with a default
	      quality level of 3. Fractional quality levels such  as  2.5  are
	      permitted.  Using	 this  option  allows the encoder to select an
	      appropriate bitrate based on your desired quality level.

       --resample n
	      Resample input to the given sample rate (in Hz) before encoding.
	      Primarily useful for downsampling for lower-bitrate encoding.

       --downmix
	      Downmix  input  from stereo to mono (has no effect on non-stereo
	      streams). Useful for lower-bitrate encoding.

       --advanced-encode-option optionname=value
	      Sets an advanced option. See the Advanced	 Options  section  for
	      details.

       -s, --serial
	      Forces  a	 specific  serial number in the output stream. This is
	      primarily useful for testing.

       --discard-comments
	      Prevents comments in FLAC and Ogg FLAC files from	 being	copied
	      to the output Ogg Vorbis file.

       -o output_file, --output=output_file
	      Write the Ogg Vorbis stream to output_file (only valid if a sin‐
	      gle input file is specified).

       -n pattern, --names=pattern
	      Produce filenames as this string, with %g, %a, %l,  %n,  %t,  %d
	      replaced by genre, artist, album, track number, title, and date,
	      respectively (see below for specifying these). Also, %% gives  a
	      literal %.

       -X, --name-remove=s
	      Remove the specified characters from parameters to the -n format
	      string. This is useful to ensure legal filenames are generated.

       -P, --name-replace=s
	      Replace characters removed by --name-remove with the  characters
	      specified.  If  this  string  is	shorter than the --name-remove
	      list, or	is  not	 specified,  the  extra	 characters  are  just
	      removed. The default settings for this option, and the -X option
	      above, are platform specific (and chosen to ensure  legal	 file‐
	      names are generated for each platform).

       -c comment, --comment comment
	      Add  the	string	comment as an extra comment.  This may be used
	      multiple times, and all instances will be added to each  of  the
	      input  files  specified.	The  argument  should  be  in the form
	      "tag=value".

       -a artist, --artist artist
	      Set the artist comment field in the comments to artist.

       -G genre, --genre genre
	      Set the genre comment field in the comments to genre.

       -d date, --date date
	      Sets the date comment field to the given value. This  should  be
	      the date of recording.

       -N n, --tracknum n
	      Sets the track number comment field to the given value.

       -t title, --title title
	      Set the track title comment field to title.

       -l album, --album album
	      Set the album comment field to album.

       -L filename, --lyrics filename
	      Loads  lyrics  from filename and encodes them into a Kate stream
	      multiplexed with the Vorbis stream.  Lyrics may be in LRC or SRT
	      format,  and  should  be	encoded in UTF-8 or plain ASCII. Other
	      encodings may be converted using tools such as iconv or  recode.
	      Alternatively,  the same system as for comments will be used for
	      conversion between encodings.  So called	"enhanced  LRC"	 files
	      are  supported,  and a simple karaoke style change will be saved
	      with the lyrics. For more	 complex  karaoke  setups,  kateenc(1)
	      should be used instead.  When embedding lyrics, the default out‐
	      put file extention is ".oga".  Note  that	 adding	 lyrics	 to  a
	      stream will automatically enable Skeleton (see the -k option for
	      more information about Skeleton).

       -Y language-string, --lyrics-language language-string
	      Sets the language for the corresponding lyrics file to language-
	      string.	This  should be an ISO 639-1 language code (eg, "en"),
	      or a RFC 3066 language tag (eg, "en_US"), not a free  form  lan‐
	      guage  name.  Players will typically recognize this standard tag
	      and display the language name in your own language.   Note  that
	      the maximum length of this tag is 15 characters.

       Note  that  the	-a,  -t, -l, -L, and -Y	 options can be given multiple
       times.  They will be applied, one to each file, in the order given.  If
       there  are  fewer album, title, or artist comments given than there are
       input files, oggenc will reuse the final one for the  remaining	files,
       and issue a warning in the case of repeated titles.

ADVANCED ENCODER OPTIONS
       Oggenc allows you to set a number of advanced encoder options using the
       --advanced-encode-option option. These are intended for	very  advanced
       users  only,  and  should be approached with caution. They may signifi‐
       cantly degrade audio quality if misused. Not all these options are cur‐
       rently documented.

       lowpass_frequency=N
	      Set the lowpass frequency to N kHz.

       impulse_noisetune=N
	      Set  a  noise  floor  bias N (range from -15. to 0.) for impulse
	      blocks.  A negative bias instructs the encoder  to  pay  special
	      attention	 to  the crispness of transients in the encoded audio.
	      The tradeoff for better transient response is a higher bitrate.

       bitrate_hard_max=N
	      Set the allowed bitrate maximum for the encoded file to N	 kilo‐
	      bits  per	 second.  This bitrate may be exceeded only when there
	      is spare bits in the bit reservoir;  if  the  bit	 reservoir  is
	      exhausted,  frames  will be held under this value.  This setting
	      must be used with --managed to have any effect.

       bitrate_hard_min=N
	      Set the allowed bitrate minimum for the encoded file to N	 kilo‐
	      bits per second.	This bitrate may be underrun only when the bit
	      reservoir is not full; if the bit reservoir is full, frames will
	      be  held over this value; if it impossible to add bits construc‐
	      tively, the frame will be padded with zeroes.  This setting must
	      be used with --managed to have any effect.

       bit_reservoir_bits=N
	      Set  the	total size of the bit reservoir to N bits; the default
	      size of the reservoir is equal to the  nominal  number  of  bits
	      coded  in one second (eg, a nominal 128kbps file will have a bit
	      reservoir of 128000 bits by default).  This option must be  used
	      with  --managed  to have any effect and affects only minimum and
	      maximum bitrate management.  Average bitrate  encoding  with  no
	      hard bitrate boundaries does not use a bit reservoir.

       bit_reservoir_bias=N
	      Set  the	behavior  bias of the bit reservoir (range: 0. to 1.).
	      When set closer to 0, the bitrate manager attempts to hoard bits
	      for  future use in sudden bitrate increases (biasing toward bet‐
	      ter transient reproduction).  When set closer to 1, the  bitrate
	      manager  neglects	 transients in favor using bits for homogenous
	      passages.	 In the middle, the manager uses a balanced  approach.
	      The  default  setting  is .2, thus biasing slightly toward tran‐
	      sient reproduction.

       bitrate_average=N
	      Set the average bitrate for the file to N kilobits  per  second.
	      When  used  without  hard minimum or maximum limits, this option
	      selects reservoirless  Average  Bit  Rate	 encoding,  where  the
	      encoder  attempts	 to  perfectly	track  a  desired bitrate, but
	      imposes no strict momentary fluctuation limits.  When used along
	      with  a minimum or maximum limit, the average bitrate still sets
	      the average overall bitrate of the file, but  will  work	within
	      the  bounds  set	by  the	 bit reservoir.	 When the min, max and
	      average bitrates are identical,  oggenc  produces	 Constant  Bit
	      Rate Vorbis data.

       bitrate_average_damping=N
	      Set  the reaction time for the average bitrate tracker to N sec‐
	      onds.  This number represents the fastest reaction  the  bitrate
	      tracker  is  allowed to make to hold the bitrate to the selected
	      average.	The faster the reaction time, the less momentary fluc‐
	      tuation  in  the	bitrate	 but (generally) the lower quality the
	      audio output.  The slower the reaction time, the larger the  ABR
	      fluctuations,  but  (generally) the better the audio.  When used
	      along with min or	 max  bitrate  limits,	this  option  directly
	      affects  how  deep and how quickly the encoder will dip into its
	      bit reservoir; the higher the number, the more demand on the bit
	      reservoir.

	      The  setting  must  be greater than zero and the useful range is
	      approximately .05 to 10.	The default is .75 seconds.

       disable_coupling
	      Disable use of channel coupling for multichannel	encoding.   At
	      present,	the encoder will normally use channel coupling to fur‐
	      ther increase compression	 with  stereo  and  5.1	 inputs.  This
	      option  forces the encoder to encode each channel fully indepen‐
	      dently using neither lossy nor lossless coupling.

EXAMPLES
       Simplest version. Produces output as somefile.ogg:
	      oggenc somefile.wav

       Specifying an output filename:
	      oggenc somefile.wav -o out.ogg

       Specifying a high-quality encoding averaging 256 kbps (but still VBR):
	      oggenc infile.wav -b 256 -o out.ogg

       Specifying a maximum and average bitrate, and enforcing these:
	      oggenc infile.wav --managed -b 128 -M 160 -o out.ogg

       Specifying quality rather than bitrate (to a very high quality mode):
	      oggenc infile.wav -q 6 -o out.ogg

       Downsampling and downmixing to 11 kHz mono before encoding:
	      oggenc --resample 11025 --downmix infile.wav -q 1 -o out.ogg

       Adding some info about the track:
	      oggenc somefile.wav -t "The track title"	-a  "artist  who  per‐
	      formed  this" -l "name of album" -c "OTHERFIELD=contents of some
	      other field not explicitly supported"

       Adding embedded lyrics:
	      oggenc somefile.wav --lyrics lyrics.lrc --lyrics-language en  -o
	      out.oga

       This  encodes the three files, each with the same artist/album tag, but
       with different title tags on each one. The string given as an  argument
       to  -n  is  used	 to generate filenames, as shown in the section above.
       This example gives filenames like "The Tea Party - Touch.ogg":
	      oggenc -b 192 -a	"The  Tea  Party"  -l  "Triptych"  -t  "Touch"
	      track01.wav  -t  "Underground"  track02.wav  -t  "Great Big Lie"
	      track03.wav -n "%a - %t.ogg"

       Encoding from stdin, to stdout (you can also use	 the  various  tagging
       options, like -t, -a, -l, etc.):
	      oggenc -

AUTHORS
       Program Author:
	      Michael Smith <msmith@xiph.org>

       Manpage Author:
	      Stan Seibert <indigo@aztec.asu.edu>

BUGS
       Reading	type  3	 Wave  files (floating point samples) probably doesn't
       work other than on Intel (or other 32 bit, little endian machines).

SEE ALSO
       vorbiscomment(1),  ogg123(1),  oggdec(1),  flac(1),  speexenc(1),  ffm‐
       peg2theora(1), kateenc(1)

Xiph.Org Foundation		2008 October 05			     oggenc(1)
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